#LoveOzYA
See my review for Monuments
Monuments Book Two
Written by Will Kostakis
Fantasy, Adventure, LGBT, Australian
256 Pages
Published August 27th 2019
Thanks to Hachette Australia
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★★★★
Newbie gods Connor, Sally and Locky want to change the world, no biggie. But they're soon drawn into a centuries old conflict that just might destroy the world they're striving to make better. Book two in the Monuments fantasy duology from young adult superstar Will Kostakis.
With the Monuments gone, newbie gods Connor, Sally and Locky must stop the rebel gods from reducing the world to ruin. Trouble is, they don't know how.
While Sally searches for answers and Locky makes plans to change the world, Connor struggles to keep up appearances as an ordinary teenager. But when a rebel god offers them a deal to end the chaos, their lives are turned upside down and they're forced to reckon with the question: who should decide the fate of the world?
Coming to terms with their newfound Godly status, friends Sally, Connor and his totally dreamy boyfriend Locky are determined to find the estranged Rebel Gods before they wreak havoc upon the world. What's the point of being a God if you can't change the world for the better? When Locky decides to spread joy on the lawn of the local parish, turning their grass into the rainbow flag in opposition to their queerphobic agenda, he's suddenly thrust into the spotlight and making their task of keeping their Godly duties on the down low even harder. Sydney is awash with speculation, could the Gods really walk among the people? For Connor and Locky, it's no easy task dating a God but now with his newfound rockstar slash miracle status, Locky may have inadvertently placed their lives in even more danger, despite the threat of the two dangerous sisters living in the otherworld that threaten life as we know it.
Adventure is afoot my friends as Connor begins to accept the fate thrust upon him, a God that will never age, never able to stay in one place any longer than a few years or risk exposure and of course, telling his dear mother. The other light of his life. Although the Monuments duology is steeped in modern mythology and moments of hilarity, the heart of the narrative is friendship and finding our way into the world. Although generations of teens aren't supernatural godly beings, it's still entirely relatable. Teens invoking change and being the change they want to see within the world.
Rebel Gods explores the deeply queerphobic aspects of religion, those condoning intolerance and prejudice under the guise of religious ideology. Locky challenges the local parish, exposing himself in the process and although the Monuments series explores the urban fantasy narrative of Sydney, the characters are exposed to societal and community issues. It provides a realism beyond world ending scenarios and one of my favourite aspects of the series, besides the brilliant and entirely likeable characters.
A brilliant conclusion to the duology from one of Australia's most loved authors.
See my review for A Harp of Kings
Warrior Bards Book Two
Written by Juliet Marillier
Fantasy, Folklore, Celtic
Published July 2020
420 Pages
Thank you to Pan Macmillan Australia
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★★★★☆
An accident. A forfeit of freedom. A descent into danger.Liobhan, the young warrior and bard, has lost her brother to the Otherworld. Even more determined to gain a place as an elite fighter, she returns to Swan Island to continue her training. But Liobhan is devastated when her comrade Dau is injured and loses his sight in their final display bout. Blamed by Dau's family for the accident, she agrees to go to his home, Oakhill, as a bond servant for one year.
But Oakhill is a place of dark secrets. The menacing and enigmatic Crow Folk still threaten both worlds and while Brocc battles them in the Otherworld, Dau must battle his own demon, despair.
When Liobhan and Dau begin to expose the evil at the core of Oakhill, they place themselves in mortal danger. For their enemy wields great power and will stop at nothing to get his way. It will take all the skills of a Swan Island warrior and a touch of the uncanny to give them any hope of survival...
Returning from her maiden assignment in the Kingdom of Breifne, Liobhan is disheartened at the loss of her brother, choosing to remain with Eirne in the forest realm of the Fair Folk. Continuing their warrior apprenticeship, Liobhan and Swan Island comrade Dau enter the arena for their friendly, noncombative competition, Liobhan discarding her protective clothing as Dau falls heavily, concussed, scarcely unresponsive and visually impaired. Healers of the island cannot guarantee the return of his vision and as a warrior who relies on his senses, Dau is questioning his position within the company of elite soldiers.
Dau is returning home to Oakhill Estate, his father and his advisors demanding compensation for the accident and to evade questioning about the mysterious Swan Island, Dau reluctantly agrees to return home. Liobhan is held accountable for the accident and volunteers to serve as a bond servant at the family estate, protecting Dau from the cruelty and maltreatment he endured as a boy. Seanan has assumed the position of Master of Oakhill while their father is ailing, a mysterious illness causing confusion and an inability to manage the family estate. Seanan is tyrannical and vindictive, a sociopath who derives pleasure from tormenting his younger brother Dau, using his humanity and gentleness as a weapon. Dau requires treatment but is isolated and his injuries festering, he experiences depression, anger and resentment.
Dau is a Swan Island warrior and without his vision, the feeling of hopelessness is palpable as he contemplates suicide as an alternative. A Dance with Fate explores the trauma of mental health and a diagnosed disability. Visually impaired, Dau is overwhelmed by his remaining heightened senses and begrudgingly accepts assistance.
As the mysteries of the Oakhill Estate emerge, Brocc remains in the forest realm with Eirne and her fair folk community as he discovers the torture and slain Crow Folk mutilated within the surrounding forest. Brocc is a humanitarian, he cares deeply for his community of small folk and his wife, who is becoming apathetic and distant. Their relationship is entirely superficial. Brocc sacrificed his family, community and position on Swan Island to join the otherwordly community and although Eirne cares for her community, Brocc is their protector, using his voice to protect the Fair Folk from the ferocious Crow Folk attacks. In one particular instance, a messenger reveals that Liobhan may be endangered and rather than forewarn her husband, Eirne chooses to conceal the information, creating a further divide. One of my favourite characters of the otherworld is True, the unassuming and philosophical protector and along with True, the fair folk are beginning to welcome Brocc into their community as a valued family member.
As Brocc and Eirne's relationship begins to fracture, the tentative attraction between Liobhan and Dau is beginning to blossom into a beautiful and delicate intensity. We see Liobhan's compassion and vulnerability, encouraging Dau to remain positive despite the circumstances and guiding a young stable hand in caring for Dau's injuries. Corb is a wonderful character, gentle, patient and although Dau resents not being able to tend to his own injuries and his bruised ego, he and Liobhan come to care for the young man.
The striking aspect of the Warrior Bards series is the atmospheric, whimsical narration infused with Celtic folklore. A Dance with Fate is an engaging and delightfully whimsical installment that explores disability, mental wellness and traumatic disorders. Beautifully lyrical and a remarkable read by one of Australia and New Zealand's finest authors. Juliet Marillier is a national treasure.
The Dark Tide Book One
Written by Alicia Jasinska
Fantasy, Witches, LGBT, Romance, Australian
Published June 2nd 2020
336 Pages
Thank you to Penguin Australia
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★★★★☆
Every year on St. Walpurga's Eve, Caldella’s Witch Queen lures a boy back to her palace. An innocent life to be sacrificed on the full moon to keep the island city from sinking.
Convinced her handsome brother is going to be taken this year, Lina Kirk enlists the help of the mysterious Thomas Lin, her secret crush, and the only boy to ever escape from the palace after winning the love of a queen. Working together they protect her brother but draw the queen's attention.
Queen Eva cast away her heart when her sister died to save the boy she loved. Now as queen, she won't make the same mistake. With the tide rising higher than ever before and the islander's whispering that Eva's magic is failing, she's willing to sacrifice anyone if it means saving herself and her city.
When Thomas is chosen as sacrifice, Lina takes his place and the two girls are forced to spend time together as they wait for the full moon. But Lina is not at all what Eva expected, and the queen is nothing like Lina envisioned. Against their will, the two girls find themselves falling for each other. As water floods Caldella’s streets and the dark tide demands its sacrifice, they must choose who to save: themselves, each other, or the island city relying on them both.
The tides begin to rise over the city of Caldella as the eve of Saint Walpurga approaches, the Queen choosing a sacrifice to appease the dark tide.
Lina lives within the village of Caldella, a passionate performance artist who after an altercation with brother Finley, is unable to dance in the festivities. On the eve of Saint Walpurga, Finley evades Lina and despite pleading with her brother to remain at home, Finley escapes into the village to entertain the revellers. Lina and Finley have an interesting sibling relationship, Lina tolerates his temper and possessive arrogance and Finley indulges in the attention of the villagers. Lina is a capable young woman and although she exudes confidence while performing, she is subservient within their sibling relationship.
Throughout the township, Eva and her companions meander the streets in search for a sacrifice, luring an unsuspecting young man back to the palace where he will be sacrificed to the dark, rising tide. Eva is the new Witch Queen, inheriting the title from her late sister, a Queen who sacrificed herself to the tides after finding love with villager Thomas. Thomas returned home to his family and now Eva is seeking retribution. Eva is a formidable young woman, fierce, determined and effortlessly debonair in her pantsuits, until Lina volunteers as the dark tide sacrifice to save Thomas, her beloved.
The final day of the winter season and the eve of Saint Walpurga, the village of Caldella is illuminated under the enchantment of the festivities, witches converse with villagers. The enchanting Caldella is reminiscent of the idyllic waterways of Venice, romantic and romanesque. Emerging over the village is the palatial home of the reigning Queen, where Thomas is being held as a sacrifice, Caldella is beautifully illustrated throughout The Dark Tide, a community swelling with liveliness and vivacity.
Lina and Eva are characters of contrast, Lina is compassionate and considerate, Eva is brusque and detached and although Lina is held captive as the dark tide sacrifice, their attraction is smouldering. As the narrative progresses, Lina and Eva blossom and flourish as individuals. Lina's confidence and fortitude is a beautiful aspect of her journey of discovery and self realisation, discarding her naivety and desperation to please others. Eva is conflicted by her ambivalence, undermined by her closest adviser, the village community and herself, believing the dark tide has been enraged by the sacrifice of her sister and former Queen.
The Dark Tide is formidable and meticulously imagined, a mesmerising read of sacrifice and redemption, atmospheric and beautifully lyrical. Alicia Jasinska has created an exquisite debut novel, unequivocally enchanting.
Written by Jenna Guillaume
Contemporary, Friendship, Romance
Publishing August 11th 2020
336 Pages
Thank you to Pan Macmillan and Netgalley
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★★★★★
The day I created a boy started out like any other.
Katie didn't mean to create a boy. A boy like a long lost Hemsworth brother. Six foot tall with floppy hair and eyes like the sky on a clear summer's day, whose lips taste like cookie dough and whose skin smells like springtime.
A boy who is completely devoted to Katie.
He was meant to be perfect.
But he was never meant to exist.
Let's summarise. Single Katie wants a dreamboat boyfriend for her very first kiss. So what happens when you wake up in the middle of the night with six feet of solid, yet alluringly strange boy hunk in your bed? Freak the hell out.
A dash of handsomeness, a pinch of blonde dreamy locks, a sprinkle of smoking hot body and generous amounts of kindness and you too can create your very own Guy. Of course there's more to the recipe and lots of sciencey goodness but now Katie has a very real and very much naked Guy in her room, staring at her adoringly and content to live under her bed until she knows what to do with him.
Girl, have at it.
Thankfully Katie can rely on her always dependable friend and next door neighbour Theo to have her back. If it weren't for Guy's weird and wide eyed wonder, no one would believe this tall, handsome hunk of a boy was only hours old. Kate is a natural storyteller and with input from best friend Libby when she starts rambling or using the word tongue far too often than necessary, Katie shares her story about creating the perfect boy.
Katie, Libby and Theo aren't part of the popular clique, in fact she and best friend Libby have been the target of the downright nasty and pretentious Mikayla. Even her maybe, sometimes boyfriend Declan Bell Jones is perfect, if only Katie could steal him from Mikayla's taloned clutches. Katie's had the hots for him as long as she can remember and all of Libby's eye rolling still isn't enough to douse those burning loins. Declan is no Guy and while he may seem nice, he's just another wanker with the need to feel adored. I believe he's also still looking for his spine.
You Were Made For Me is a feel great, laugh out loud romantic comedy, like a nineties teen film that'll have you swooning and peeing a little, regular toilet breaks are highly recommend. It's utterly delightful, a little bit batshit and hilariously funny. We could all use a hefty dose of fun and fluff and this is perfection.
We first meet Katie as she's pining away over the unobtainable boy, you know the type, he's usually popular, his girlfriend is a horrible bitch and he's typically a bit of a dimwit. On a girl's night in, Kate and bestie Libby are pretending to create the ideal guy, Libby ensuring she added a penis because no one deserves plastic genitals. Feeling better about her lack of boyfriend and kissing, Katie tucks her makeshift tiny boyfriend into bed. Sciencey and magical stuffs occur, which I believe is the technical term and that is how you end up with a hunk in your bed. Probably best not to try this at home kids, results may vary.
What ensues is a journey of learning, hard lessons and realising that there's no such thing as perfection, although Guy comes pretty close. A story of friendship, awesome friends, shitty friends and that guy you thought was hot? He's a massive wanker. You Were Made For Me also touches on grief, Theo having lost his mother to cancer. Infidelity, someone can't seem to keep their own tongue in their mouth and body shaming. Theo is often teased by his family and peers for his weight.
I loved the diversity of characters. There is a discussion surrounding sexuality when a character identifies as asexual and aromantic and it was brilliant to see that spoken about on the page so positively. Libby is Filipina Australian, she's intelligent, witty and an incredibly loyal friend. She also experiences taunting and racism at the hands of Mikayla and her minions.
Jenna Guillaume has cemented herself as Australia's young adult romantic comedy author and my love her her knows no bounds. This was absolutely delightful, fun, fluffy and super cute. Also, a handy guide when faced with a large, ridiculously good looking man doll come to life in your bed while you're asleep.
Written by Sarah Epstein
Mystery, Contemporary, Australian
400 Pages
Published March 2020
$19.99
Thank you to Allen & Unwin Australia
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A gripping mystery about a missing boy and a group of teenagers, one of whom knows something but isn't telling, from the award winning author of Small Spaces.
Henry Weaver is missing.
Three months ago, thirteen year old Henry disappeared from The Shallows during a violent storm, leaving behind his muddy mountain bike at the train station.
Mason Weaver is trapped.
While Mason doesn't know who he is or what he's capable of, he knows the one thing binding him to this suffocating small town is his younger brother, Henry.
Chloe Baxter wants answers.
Why would Henry run away without telling her? One of Chloe's friends knows something and she's determined to find out the truth.
As Chloe wades into dangerous waters and mason's past emerges, a chilling question ripples to the surface. How far would you go to keep a secret?
In the small town of The Shallows, the community has endured bushfire that ravaged the land and a torrential storm on the night that thirteen year old Henry Weaver disappeared, three months ago. Chloe Baxter has returned to The Shallows from Sydney, her parents separating when her mother was desperate to escape the small, working class town. Chloe's father manages a small roadside motel once popular with tourists and those passing through The Shallows, now small businesses barely keeping their heads above water since the local economy survived on the tourist trade.
Returning to town, Chloe is determined to find Henry once again, placing missing posters around Sydney provided no information to the whereabouts of her friend and upon return home, plans to begin the search once more. What happened to Henry? Why didn't he tell Chloe he was leaving and why is his older brother Mason so hellbent on destroying his life?
Deep Water begins with the story of the Weaver family, Henry, older brother Mason and their mother, a woman surviving on alcohol, cigarettes and gambling. Growing up in the Weaver household, the boys are being abused by their mother, Mason's father has always been absent and Henry's father left for the big smoke, no longer able to withstand the physical and mental abuse. Mason has always tried to protect Henry from their mother's rage, bearing the brunt of her abuse and neglect as Mason begins to spiral downwards, desperate to escape The Shallows. Mason is an incredibly multilayered character, he's sensitive and hides his feelings in a bottle of alcohol, destructive behaviour and a notorious reputation.
Chloe is an interesting character, she's relatable but often unlikable and still carrying the grief of losing Henry, determined to find her friend and the brother she always wanted. On the night Henry disappeared, Chloe was meeting Raf, her best friends brother. Together they huddled in the small, ramshackle hut in the surrounding bush as Henry braced the storm and never returned home. Chloe and Raf kept their liaison a secret, to their friends and even the local authorities investigating Henry's disappearance, the local police officer once involved in an affair with Chloe's mother before she left The Shallows.
The most striking aspect of Deep Water is the writing, a masterclass in how to write multiple, multilayered characters while creating an exhilarating storyline. Australian young adult book of the year, without a doubt. The reader is introduced to each character as a dual narration from both Chloe and Mason, with sporadic chapters from Henry talking to a new friend he made online, Chloe's privileged life, although not perfect and Mason as he struggles to survive. Their characters are contrasting and once friends, as Henry was adopted into their ragtag group of friends, Mason begun to isolate, feeling left out of his friendship circle as Henry became more embedded. It's an issue that Mason resents Chloe for, choosing Henry's friendship and not reaching out to him. It's messy and realistic and written so beautifully, the delicate threads between friends becoming severed and mended in time.
Besides Chloe and Mason, I enjoyed the sibling relationship between Sabeen, Chloe's best friend and her brother Raf, Chloe's crush. Sabeen and Raf are wonderful, Sabeen a loyal and compassionate young woman and Raf, a quiet young man who has adored Chloe from a distance for the past few years. Sabeen's father is from Pakistan, a sperm donor Sabeen proudly announced when she and Chloe met at the tender age of only six years old, her mother's both own and run the local pizzeria, feeding the small brood of friends. Tom was an interesting character. Also part of their friendship circle since they were children, Tom's father is in prison while he was raised by his grandparents, his grandfather owning the local oddities store come makeshift pawnshop. Tom escaped The Shallows, studying at university while maintaining his friendship with Chloe and although unaware of his intentions, Tom is keen on Chloe despite her feelings for Raf.
Deep Water raises the discussion of several important issues throughout our communities. Poverty and low socioeconomical conditions, family violence, parent infidelity, alcoholism, violence, toxic masculinity and grief. Wonderfully diverse characters and stories threaded together with care and compassion.
It's magnificent.
Written by Astrid Scholte
Fantasy, Dystopian, Science Fiction, Romance
416 Pages
Published March 2020
R.R.P $19.99
Thank you to Allen & Unwin Australia
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★★★★★
416 Pages
Published March 2020
R.R.P $19.99
Thank you to Allen & Unwin Australia
Add to Goodreads
★★★★★
Two sisters. One dangerous secret. Twenty-four hours to uncover the truth.
Seventeen year old Tempest was born into a world of water. The most skilled diver on the Equinox Reef, she searches drowned cities with her older sister Elysea, seeking out old world treasures to trade for Notes. After Elysea mysteriously drowns, Tempest scavenges the ruins alone, driven to collect enough Notes to buy her sister's life for 24 hours, and to finally learn the secret she had kept until her last breath.
However, once revived, Elysea convinces Tempest to break her out of the Palindromena research facility and they embark on a dangerous journey to discover the truth about their parents' death. But they're pursued by two Palindromena employees desperate to find them before Elysea's time is up, and to prevent them from uncovering the secrets behind the revival process and the true cost of restored lives.
Dead or living, everyone must pay the price.
The Great Waves decimated the planet, creating underwater graves as the cities were submerged. Tempest lives in a towering building upon the waves, exploring the ruins below the water to survive. It's been five years since her parents passed away, shortly before her sister Elysea drowned, grieving for the loss of her family.
Those who have drowned upon the water are retrieved, their bodies placed in a cryogenic state until their loved ones pay handsomely for one last day. The dead are awoken for twenty four hours and then put to rest once more. Tempe plans to revive her sister, believing Elysea is responsible for the death of their parents. Palindromena promises the lasting memory of a reunion with your loved one, a final goodbye for those who have been left behind. While the communities of the Equinox Reef live in apartments above the waves, Palindromena monopolises the small island upon the reef and for Lor, the facility provides a sense of solace and isolation. Hiding among the tanks that hold the deceased until they are revived by their families or discarded, Lor retreats into his own thoughts, of the friend he once lost and the survivor guilt he endures each day.
Tempe and Lor are both wonderful characters and not too dissimilar, both share a strong moral compass and analytical view of their world. Lor resides within the substructure of the Palindromena facility, the basement his respite from the unethical procedure of restoring lives. Lor is a gentle character, emotional and wears his heart on his sleeve. His thoughts are consumed of the guilt of losing his friend in a rock climbing accident, Lor survived and the guilt has caused him to live his life hidden among the dead, isolated and secluded from the world.
Tempe and Elysea are contrasting characters and although Tempe is angry a deeply feels what she believes is her sister's betrayal, the two siblings care for one another. Elysea is spirited and carefree and despite her current circumstances, wants to spend her final day experiencing the yearly Equinox festival, dancing and enjoying what little of her life remains. Through Elysea's experience, Tempe realises that she wasn't living but simply surviving and although Lor provides an attractive distraction, Tempe continues to place her sister's well being first and foremost.
Tempe and Elysea are contrasting characters and although Tempe is angry a deeply feels what she believes is her sister's betrayal, the two siblings care for one another. Elysea is spirited and carefree and despite her current circumstances, wants to spend her final day experiencing the yearly Equinox festival, dancing and enjoying what little of her life remains. Through Elysea's experience, Tempe realises that she wasn't living but simply surviving and although Lor provides an attractive distraction, Tempe continues to place her sister's well being first and foremost.
The Earth flooded in a historical disaster known as the Great Waves, land disappearing beneath the ocean and those who survived now live in salt laden highrise towers jutting from the sea. Relics from the Old World are now hidden below the waves, treasures looted by divers brave enough to endure the waves that decimated their world. The ocean has become a source to sustain communities, providing a livelihood for those living above the watery graveyards. The world building is eerily beautiful and one of my favourite aspects of The Vanishing Deep.
The world flooded and valuable land and resources disappearing beneath the sea. A frightfully prophetic world that raises discussion of environmental impact and global warming, issues rarely mentioned in young adult literature. At the centre of the narrative is the moral dilemma of life and playing God. Resurrection, only to spend the next twenty four hours isolated in a concrete room within the Palindromena facility. You can't leave and you need to lie your way through every conversation because they can't discover they've died. What isn't clear to the grieving loved ones, is how the process works. Without giving too much away, the how provided an intense urgency throughout the storyline which blended beautifully with the emotional impact of Tempe and Elysea's reunion, the secret surrounding the death of their parents and coming to terms with losing your sister all over again.
Lovingly imagined, atmospheric and beautifully portrayed, The Vanishing Deep is exquisite.
Written by David Burton
Contemporary, Mystery, Mental Health
256 Pages
Published October 1st 2019
Thank you to UQP
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★★★★☆
When Shaun finds a dead body floating in the lake of a quiet mining town in outback Queensland, he immediately reports it to the police. But when he returns to the site with the constable, the body is gone.
Determined to reveal the truth, Shaun and his best friend, Will, open their own investigation. But what they discover is far more sinister than a mining mishap or a murder, and reveals a darkness below the surface of their small town.
In the small regional town in Queensland, drought and land erosion is prevalent, nonetheless the coal industry continues to thrive. Fourteen year old Shaun relocated from Brisbane with his parents, his dad begun employment in the local mining industry, a prosperous position until his mental health deteriorated, suffering a chronic injury and takes his own life. Shaun refuses counselling despite the insistence of his mother, his unresolved grief begins to resurface when Shaun finds a deceased body washed on the banks of the local reservoir. The nondescript man removing his workboots before having entered the water. Despite his truancy, Shaun reports the body to the local police who are sceptical, so when he accompanies a young officer to the crime scene and the deceased is missing, Shaun is branded a troubled young man and the investigation concluded before it has begun.
His mother believes Shaun harbours the residual effects of the suicide of his father so Shaun enlists the cooperation of best friend Will, a young man who thrives on adventure and together they investigate the death of a young man and their small town that deserves answers.
Shaun is a sensitive and intelligent young man, a friend and the son of a man who took his own life. In the small mining community, Shaun understands the anguish of mental illness and the repercussions of a large corporation financing the local economy. Shaun's single mother is employed at the local supermarket and although she's concerned for Shaun's mental health, she has no alternative means of financial support. Shaun is understandably enraged at the treatment of employees at the Rosewood Mine, treacherous conditions, inadequate support and mismanagement contributing to the suicide of his father.
The investigation is fraught with danger. Shaun and Will believe the young man is a casualty of the Rosewood Mine and begin the search for evidence of negligence.
Woven throughout The Man in the Water is the reoccurring theme of mental health, community responsibility and removing mental illness discrimination, especially in traditionally male dominated workplaces. While Australia strides towards inclusion and equality, toxic masculinity is an issue rarely acknowledged or discussed. Young men are expected to appear stoic and detached and to appear otherwise is often seen as weakness. This is especially prevalent in male dominated workplaces where employees are essentially discouraged from expressing concerns and mental health issues. In the incidents of the Rosewood Mine, employees are separated from their families, exposed to unsafe conditions, unsupported by their employer and intimidated by union delegates.
The Man in the Water encourages discussions surrounding mental health, suicide and neglect within our small town communities. Communities often without mental health professionals and counselling services. The uniquely Australian narrative is authentic and superbly written, the epitome of compassionate and conscientious young adult literature.
Ghost Bird
Written by Lisa Fuller
Indigenous, Suspense, #loveozya
280 Pages
Published October 1st 2019
Thank you to UPQ
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Remember daughter, the world is a lot bigger than anyone knows. There are things that science may never explain. Maybe some things that shouldn’t be explained.
Stacey and Laney are twins, mirror images of each other and yet they’re as different as the sun and the moon. Stacey works hard at school, determined to get out of their small town. Laney skips school and sneaks out of the house to meet her boyfriend. But when Laney disappears one night, Stacey can’t believe she’s just run off without telling her.
As the days pass and Laney doesn’t return, Stacey starts dreaming of her twin. The dreams are dark and terrifying, difficult to understand and hard to shake, but at least they tell Stacey one key thing, Laney is alive. It’s hard for Stacey to know what’s real and what’s imagined and even harder to know who to trust. All she knows for sure is that Laney needs her help.
Stacey is the only one who can find her sister. Will she find her in time?
Stacey and Laney Thompson are reflections of one another, identical sisters, companions and everlasting friends. In their small rural town of Eidsvold in Queenland, the Indigenous and white communities are segregated, white farmers claiming stolen land as their own and ravishing the natural resources. Since her grandmother passed away and her mother working long hours as an assistant nurse, Stacey and Laney would care for one another, until Laney begins her nightly rendezvous with Troy, a local boy who Stacey resents for monopolising Laney's time.
Stacey remembers her grandmother and her campfire stories, stories that will be passed through generations of the Thompson family, of monsters who lurk in the shadows. Stacey begins dreaming of a young woman captured, isolated and terrified and although frightened by the vivid dreaming, Stacey ignores her instincts. Until Laney goes missing.
Stacey is an intelligent and considerate young lady, she has the utmost respect for her elders, her mother and her large, fiercely protective family. Laney pushed boundaries, defying their mother and the educational system that favours white students, Indigenous students ignored and their education seen as secondary and an indication of how the white Eidsvold community thrive on racism and ignorance.
The Thompson and Miller families are adversaries, a continuing hostility which neither family is willing to concede. Stacey defies her family and enlists the assistance of Sam Miller in the search for her sister Laney, despite her better judgement. The rumour around town is that Laney, Troy and a group of local boys trespassed onto the property of local family the Potters. The Potter name is synonymous with violence against Indigenous youth, their claim as one of the founding families of the small town, cattle farmers and white supremacists not above using violence against the black members of the community. While Troy escaped, his are friends incarcerated and Laney is still missing. Still, no one is talking.
Ghost Bird also explores themes of racism and abuse towards Indigenous communities. Laney's disappearance is reported to the local police who are disinterested and apathetic, the disappearance of a young black woman being no cause for concern. The local historical society share the history of white settlement, neglecting the brutal colonisation of Indigenous land and communities. The inequality and blatant racism of small town Australia is confronting and indicative of the experience of many Indigenous Australians.
Ghost Bird is an exceptional read. A spiritual and remarkable journey of family, culture, identity and small town prejudices through the narrative of sixteen year old Stacey Thompson, a young Indigenous woman. Beautiful and breathtaking.
One of the loveliest aspects of Ghost Bird is the infusion of your culture with a strong emphasis on family. How important is it for young Aboriginal readers to see themselves and their cultures between the pages?
Ghost Bird takes place in Eidsvold in South East Queensland. Growing up in a small country town, did you use your own experiences inspire the creation the small town narrative?
I was intrigued by Stacey and Laney being identical reflections of one another who shared a sixth sense. Can you tell us about what inspired you to create their characters?
Ghost Bird also gently explores themes of colonisation, racism and the erasure of Indigenous history. Are those issues you were conscious of including and how important are they to acknowledge especially for Indigenous youth?
Ghost Bird is your debut novel. Can you tell us about what attracted you to writing and writing for teens in particular?
And lastly, can you share with us what's next for Lisa Fuller?
The Thompson and Miller families are adversaries, a continuing hostility which neither family is willing to concede. Stacey defies her family and enlists the assistance of Sam Miller in the search for her sister Laney, despite her better judgement. The rumour around town is that Laney, Troy and a group of local boys trespassed onto the property of local family the Potters. The Potter name is synonymous with violence against Indigenous youth, their claim as one of the founding families of the small town, cattle farmers and white supremacists not above using violence against the black members of the community. While Troy escaped, his are friends incarcerated and Laney is still missing. Still, no one is talking.
Ghost Bird also explores themes of racism and abuse towards Indigenous communities. Laney's disappearance is reported to the local police who are disinterested and apathetic, the disappearance of a young black woman being no cause for concern. The local historical society share the history of white settlement, neglecting the brutal colonisation of Indigenous land and communities. The inequality and blatant racism of small town Australia is confronting and indicative of the experience of many Indigenous Australians.
Ghost Bird is an exceptional read. A spiritual and remarkable journey of family, culture, identity and small town prejudices through the narrative of sixteen year old Stacey Thompson, a young Indigenous woman. Beautiful and breathtaking.
Today on the blog, I'm chatting with Lisa Fuller about Ghost Bird, representation and growing up in small town Australia. Please welcome wonderful debut author Lisa Fuller.
One of the loveliest aspects of Ghost Bird is the infusion of your culture with a strong emphasis on family. How important is it for young Aboriginal readers to see themselves and their cultures between the pages?
Growing up I was constantly looking for people in books that looked like me and were dealing with the same things. It’s why I ended up such a huge fan of speculative fiction because they deal with othering, racial issues, all the things I was going through. I think it’s so important to be able to see yourself represented in any media, especially when you’re younger. When I was writing Ghost Bird, I was wanting to give that representation to my nieces, nephews and cousins. And I hope they can see themselves in it.
Ghost Bird takes place in Eidsvold in South East Queensland. Growing up in a small country town, did you use your own experiences inspire the creation the small town narrative?
I cherry-picked a lot of elements, absolutely. It’s partly why it’s set in the 90s, because things like mobile phone coverage happened after I left for uni in 2002. I thought I was being unique with the characters, but my family tell me that I’ve written myself, my big sister and mother into the story… I can’t really argue with them about that lol. Luckily, they both think it’s hilarious.
I was intrigued by Stacey and Laney being identical reflections of one another who shared a sixth sense. Can you tell us about what inspired you to create their characters?
Twins randomly pop up in my family, and when I was younger I always wished for a twin. I also used to read ‘freaky but true’ books a lot (I still own some), and almost all of them had a section on twin connections. I think it also gave me that opportunity to explore two very different personalities, their own perspectives and ways of dealing with the same things.
Ghost Bird also gently explores themes of colonisation, racism and the erasure of Indigenous history. Are those issues you were conscious of including and how important are they to acknowledge especially for Indigenous youth?
Including these elements wasn’t a choice so much as it was about being true to life, then and now. My community already know these things, but having it acknowledged in such a way is really important, particular for our younger people, so know they aren’t alone. But it’s only part of the story. Yes, bad things have and are happening, but we always have each other and lots of laughter. We’re strong, and we’re still here.
Ghost Bird is your debut novel. Can you tell us about what attracted you to writing and writing for teens in particular?
Honestly, I thought it wouldn’t fly as YA, given the swearing and mature content. My publisher talked to me about it and gave me the choice. I chose YA because I realised I was writing this for that lonely kid back in high school who could never see herself in popular culture. I love the idea of being able to ensure my younger family and community can find themselves out there in the world. Watching all the amazing First Nations writers coming up now is just so exciting!
And lastly, can you share with us what's next for Lisa Fuller?
I just finished editing my middle grade fantasy, Washpool, with the amazing ladies at black&write. I’m so sad it’s over, but it goes off to Hachette soon, so fingers crossed! I’m writing a novel for my PhD that’s shaping up to be YA at this point. And I’ve got a picture book contracted with Magabala. I’ve also started toying with ideas for a sequel to Ghost Bird, because I’m missing the characters… is that nuts?
About Lisa Fuller
Lisa Fuller is a Wuilli Wuilli woman from Eidsvold, Queensland, and is also descended from Gooreng Gooreng and Wakka Wakka peoples. She won a 2019 black&write! Writing Fellowship, the 2017 David Unaipon Award for an Unpublished Indigenous Writer, the 2018 Varuna Eleanor Dark Flagship Fellowship, and was a joint winner of the 2018 Copyright Agency Fellowships for First Nations Writers. She has previously published poetry, blogs and short fiction. Lisa is an editor and publishing consultant, and is passionate about culturally appropriate writing and publishing.
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